Dj Mixing and Editing Software

• 4 Decks
• 3-Band Eq, Filter, Gain
• Sync, Quantize, Slip
• Bpm / Key detection
• Master tempo, Pitch shift
• Cue markers (Cue points, Hot cues, Memory cues, Loops, Beat loops, Slip loops)
• Effects: Band Pass/Stop, Pitch Shift, Lfo Volume, Lfo Flangler, Echo, Delay, Bitcrusher, Reverse, Vinyl Brake, Vinyl Spin, Vinyl Scratch
• Crossfader
• Waveform zoom
• MIDI Controller support

• 4 Stems: Bass, Drums, Vocals, Melody

Each song can be separated into 4 stems containing bass, drums, vocals, and melody. These stems can then be mixed and used in any way.

• Quickstart

• User Interface

• Dialog Boxes

• Clean uninstall

• Known issues / Bug report

When an audio file is loaded into DjMixEngine, pre-processed audio data files are created and stored on the hard disk. These files can take up a lot of disk space. If necessary they can be deleted selectively.

• Audio playback device

• Loading and playing a track

• Using Deck Effects

• Using Cue Markers (points and loops)

• Using Master, Sync, Quantize and Slip

• Editing a track

• Live editing

• Selecting multiple Samples

• Using Subchannel Effects

• Aligning Metronome

• Bordered user interface controls

• MIDI Controller / MIDI Learn

Right now, DjMixEngine can only use the default audio playback device.

If you want to use both the Master Speaker and Master Headphone outputs at once, you'll need a sound card with at least four channels.

The playback device uses the audio channels as follows:

If you're using a 2-channel (stereo) sound card, the Master Speaker and Master Headphone outputs are combined:

When you enable Mono in the Mixer/Master section, the channels are used as follows:

A split adapter lets you connect a stereo speaker system and stereo headphones to a 2-channel (stereo) sound card. But remember, both will only output mono audio on their stereo channels.

1. Set the Master Speaker (Sp) and the Master Headphone (Hd) sliders to the minimum/left position.
2. Click the button on any Deck 1-4.
   The file browser opens.
3. Select the track to be loaded.
   Preprocessing is performed.
   For more details, see: Settings / Tab: Preprocessed Files
4. Click button (Play/Pause) on the corresponding deck.
   The track starts playing.
5. Adjust the Deck Gain level.
6. Set the Deck Speaker (Sp) and the Deck Headphone (Hd) sliders to your preference.
7. Adjust the Master Speaker (Sp) and the Master Headphone (Hd) sliders to a comfortable volume.
8. Use the and buttons to zoom in and out of the waveform.

9. Make sure Jog Mode is set to Platter.

   The cursor, the red vertical line, marks the current playback position.

   Left mouse button pressed and held on the waveform:
   Moves the cursor left or right according to your mouse movements.
   If Follow is enabled:
   The waveform displayed will follow the cursor, which will always remain at the center of the waveform.
   If Follow is disabled:
   The cursor and waveform can move independently. The and the buttons are used to move the waveform left and right.

10. Click button (Play/Pause) on the corresponding deck.
    The deck stops playing.

The corresponding user interface controls are located here:

• User Interface (Overview)

• Deck 1-4

• Mixer / Master

The Deck Effects section of each deck contains all the audio effects. These effects can be independently turned on and off, and their parameters can be adjusted.

Each deck has a Deck Effect Selector, and a Main Effect Selector can be assigned to any of the Deck Effect Selectors.

Selectors are shortcuts that make it easy to choose an effect, turn it on or off, and adjust some of its parameters.

Effect sections of MIDI DJ controllers can be mapped to Effect Selectors.

Schematic representation:

Main Effect Selector
↓
Deck 1 Effect Selector	...	Deck 4 Effect Selector
↓		↓
All Deck 1 Effects	...	All Deck 4 Effects

For more details, see:

• User Interface (Overview)

• Deck Effect Selector 1-4

• Main Effect Selector

• Deck Effects

A Cue Marker indicates a position in a track to which the deck's cursor can jump. A Cue Marker can either be a point or a loop.

Each deck contains 8 Cue Selectors, which refer to a Cue Marker in the track or are left empty.

Additionally, there is one Cue Header per deck that can be assigned to any of the Cue Selectors to perform additional functions, such as changing the loop length or name.

A Cue Selector has 3 buttons:

• Radio button
  Assigns the Cue Header to this Cue Selector.

• Set button
  Sets the Cue Marker position to the current cursor position.

• Hot button
  The cursor will jump to the referenced Cue Marker and begin or continue playback.
  If the Cue Marker is a loop, the loop is activated.

Schematic representation:

Cue Header: Cue   Hot   Set/In   Out   Auto Loop   1/2x   2x ...
↓
Cue Selector 1: Hot   Set	...	Cue Selector 8: Hot   Set
↓		(empty)
Deck Cue Marker in a track

For more details, see:

• User Interface (Overview)

• Cue Markers Deck 1-4

• Cue Header

• Cue Selector

Example using Cue Markers (points and loops):

• Press the Radio Button of Cue Selector 1.
  The Cue Header is now assigned to Cue Selector 1.

• Load a track into a deck.

• Press (Play/Pause) to start the deck.

Set a Cue Marker:

• Navigate to the position where you want to set a Cue Marker.

Hot

Set/ In

Out

Auto Loop

Hot

Set

• Press the Set button on Cue Selector 1.
  -or-
  Press the Set/In button in the Cue Header.
  The Cue Marker is now set.

Hot

Set/ In

Out

Auto Loop

Hot

Set

• Press the Hot button on Cue Selector 1.
  -or-
  Press the Hot button on Cue Header.
  The cursor moves to the Cue Marker while the deck continues playing.

• Repeat the previous step as many times as you want.

Change the Cue Marker to a loop:

• Press the 4 button in the Cue Header.
  The Cue Marker is now a loop with a length of 4 beats.

Hot

Set/ In

Out

Auto Loop

Hot

Set

• You can halve or double the loop length by pressing the 1/2x or 2x button in the Cue Header.
  The loop length of the Cue Header is halved or doubled respectively.

• Press the Hot button on Cue Selector 1.
  -or-
  Press the Hot button in the Cue Header.
  The cursor jumps to the Cue Marker and the loop is activated. Loop playback begins.

Hot

Set/ In

Out

Auto Loop

Hot

Set

• Press the 1/2x or 2x button in the Cue Header.
  Again, the loop length of the Cue Header is halved or doubled, but the length of the active loop is also changed.

• Press the Hot button again to exit the loop.
  The loop is now deactivated.
  If Slip is enabled (see section below), additionally, the cursor also jumps back to the previous position, increased by the Slip distance.

Hot

Set/ In

Out

Auto Loop

Hot

Set

Using Auto Loop:

• Navigate to a position to set another Cue Marker.

• Press the Auto Loop button.
  The Cue Marker is set and the loop is activated. Loop playback begins.

• Press the Auto Loop button again.
  -or-
  Press the Hot button.
  The loop is now deactivated.
  If Slip is enabled, it will behave as described above.

Using Cue Mode:

• Enable Cue Mode.

• Press and hold the Hot button on Cue Selector 1.
  As above, the cursor jumps to the Cue Marker and activates the loop, starting loop playback.

• Release the Hot button.
  The loop is now deactivated.
  If Slip is enabled, it will behave as described above.

• If multiple decks are playing, one of them is designated as the Master Deck, typically the first one started.

  If a Master Deck is paused while other decks are still playing, one of those decks will become the new Master Deck.

  The Master Deck must be a deck that is currently playing.

• If Sync is enabled for a deck, it will play at the same tempo as the Master Deck.
  (According to the detected Bpm.)

  Enabling Sync for the Master Deck has no effect.

• If Quantize is enabled for a deck that starts playing while another deck (Master Deck) is already playing, the playback position (cursor) for that deck will be adjusted to match that of the Master Deck based on the selected Quantize value.

• If Quantize is enabled for a playing deck, and a Hot button is pressed, the deck's cursor will jump to the Cue Marker as usual, but adjusted according to the selected Quantize value.

• If Quantize is enabled for a deck and a Set button is pressed, the Cue Marker will be set to the cursor position as usual, but adjusted according to the selected Quantize value.

• If Slip is enabled for a playing deck, figuratively meant, the deck will continue to play in the background while an action is being performed.

  This action can include Loop Playback, Reverse Playback, Platter Touch, Vinyl Brake, Vinyl Spin, or Vinyl Scratch.

  After the action ends, the deck will continue playing from that position as if the action had never been performed.

  The distance traveled during the action is referred to as the slip distance.

For more details about the corresponding user interface controls, see:

• User Interface (Overview)

• Deck 1-4

When a track is loaded into a deck, it is represented by a Sample that contains the entire track.

A Sample has 4 stereo Subchannels, with the loaded track placed in the first Subchannel and the others left empty.

A Sample can now be:

• split into multiple Samples

• copied to the clipboard

• pasted from the clipboard before/after an arbitrary Samples (in any deck)

• deleted

To edit the loaded track, follow these steps.

1. Make sure Jog Mode is set to Edit.

2. For the sake of simplicity, set Subchannel to 1.

3. Press the left mouse button to select a Sample.

4. In the Edit section, select one of the following editing operations.

• Split
• Copy
• Paste one Subchannel left/right
• Delete

5. Repeat steps 3 and 4 as necessary.

This makes it easy to rearrange a track (e.g. cut or repeat parts of the track). Please refer to the examples below.

Next:

• Set Subchannel to All.
  Any single Subchannel can now be selected.

When a selected Sample is copied to the clipboard, the selected Subchannel information is also saved.

A sample can now be pasted in several ways. Please see the explanation below for more details.

• Paste the Sample as is, with all Subchannels, between two Samples.

• Paste only the Sample with the selected Subchannel in the clipboard between two Samples using the Subchannel selected in the deck.

• Paste the selected Subchannel from the clipboard into an empty, selected Subchannel of a Sample in the deck.

For additional information on editing operations, please refer to:

• User Interface (Overview)

• Edit

Subchannel 1

Subchannel 2

Subchannel 3

Subchannel 4

Snippet A (was selected when copying to clipboard)

Snippet B

-

-

Snippet C	Snippet D	Snippet E
-	-	-
-	(selected)	-
-	-	-

Snippet C	Snippet D	Snippet A	Snippet E
-	-	Snippet B	-
-	(selected)	-	-
-	-	-	-

Snippet C	Snippet D	-	Snippet E
-	-	-	-
-	(selected)	Snippet A	-
-	-	-	-

Snippet C	Snippet D	Snippet E
-	-	-
-	Snippet A (selected)	-
-	-	-

C	D (begin)	D (end)	E
-	-	-	-
-	A (selected)	-	-
-	-	-	-

C	Snippet D	E (begin)	E (end)
-	-	-	-
-	A (begin) (selected)	A (end)	-
-	-	-	-

Four editing examples follow:

Track A

A1

A2

A3

A1

A3

Track A

Track B

A1

A2

B1

B2

A1

B1

B2

A1

B2

(empty)

Track A

Track B

A1

A2

B

A1	A2
	(selected)

B

A1	A2.1	A2.2
	B

(empty)

Track A

Track B

A1

A2

B

A1	A2
	(selected)

B

A1	A2
	B1	B2

(empty)

Each deck 1-4 uses one Memory A-D to store Samples and Cue Markers.

The same Memory can have multiple decks assigned to it.

This feature allows a track to be played on one deck and edited on another deck at a different location using headphones.

To do this:

• Set the corresponding decks to the same Memory A-D.

The Memory user interface control is located here:

• User Interface (Overview)

• Deck 1-4

Track X

Track X

Deck 2 displays the loaded track since it also uses Memory A.

X1

X2

X3

X1

X2

X3

X1

X3

X1

X3

Multiple Samples can be selected sequentially.

To do this:

1. Make sure Jog Mode is set to Edit.

2. Select the Subchannel of the first Sample in the sequence.
   (Press the left mouse button on it.)
   The corresponding Subchannel and Sample are now selected.

3. Press and hold the Shift Key (PC keyboard).

4. Select the Subchannel of the last Sample in the sequence.
   (Press the left mouse button on it.)
   The sequence of Subchannels and Samples is now selected.

Most editing operations can be performed on sequences of Subchannels/Samples.

Each Subchannel can have one or more audio effects activated (Subchannel Effects).

To utilize Subchannel Effects, follow these steps:

• Ensure that the Jog Mode is set to Edit.

• Press the left mouse button to select a Subchannel of a Sample.
  In the Subchannel effects section, the effect parameters of the selected Subchannel are now displayed and can be changed.

This can also be done in advance with two decks assigned to the same Memory.

For more details, see:

• User Interface (Overview)

• Subchannel Effects

A1	A2	A3	A4 Fx1
	B1 Fx2	B2 Fx3	B3	B4

Fx1: Volume automation: 100% to 0% (fade out)

Fx2: Volume automation: 0% to 100% (fade in)

Fx3: ...

When you select a sequence of Subchannels, the Effects parameters will appear in the Subchannel Effects section.

But, for a given effect, there are two different cases:

1. The parameters remain consistent throughout the sequence.
   The parameters representing the entire sequence are displayed.

2. Inconsistent parameters.
   The parameters of only the first selected element in the sequence are displayed. The effect is labeled with a symbol in the Subchannel Effects section.

   Modifying any of the effect's parameters will ensure consistency throughout the sequence, resulting in the application of case 1.

Example:

Sequence with consistent parameters:

Bitcrusher enabled 50%

Bitcrusher enabled 50%

Bitcrusher enabled 50%

Bitcrusher enabled 50%

Bitcrusher enabled 50%

Sequence with inconsistent parameters:

Bitcrusher enabled 10%

Bitcrusher disabled 50%

Bitcrusher enabled 80%

Bitcrusher disabled 50%

Bitcrusher enabled 10%

Now we change the parameter to 40%. Result:

Bitcrusher enabled 40%

Bitcrusher enabled 40%

Bitcrusher enabled 40%

Bitcrusher enabled 40%

Bitcrusher enabled 40%

The metronome beats usually increase in a cyclical manner as the track is played:

(1, 2, 3, 4, 1, 2, 3, 4, ...)

After multiple copy and paste operations, the metronome beats in a sequence of samples may no longer increase cyclically.

To fix this, do the following:

1. Make sure Jog Mode is set to Edit.

2. Select the sequence of Samples.

3. In the Edit section, press one of the Align to 1st or Align to Sub buttons.
   The metronome beats of the Sample sequence will now increase in a cyclical manner.

Editing operations are located here:

• User Interface (Overview)

• Edit

The user interface contains buttons with borders that can be either off (invisible), on (visible), or flashing (on/off). The following explanation clarifies the meaning of each border.

If an LED MIDI button is mapped to one of the user interface buttons below, it will light up like the border.

▶

▶

▶

Cue

Cue

Cue

Hot

Set/ In

Out

Auto Loop

Hot

Set/ In

Out

Auto Loop

Hot

Set/ In

Out

Auto Loop

Hot

Set/ In

Out

Auto Loop

Hot

Set

Hot

Set

Hot

Set

A MIDI control can be mapped to one or more user interface controls. Similarly, one or more MIDI controls can be mapped to the same user interface control.

A MIDI button can also be mapped to a slider/fader or combo box on the user interface to set a specific value.

The PC keyboard can function as an integrated controller, with most keys beeing mappable like a MIDI button. Shift, Alt, and Ctrl function as modifier keys.

A MIDI control can be mapped to most of the user interface controls.

This can be done in three steps:

1. Right-click a user interface control.
   A dialog box will open and display the mapped MIDI controls for all Actions/Events.

2. Press the Learn button of any Action (default or other).

3. Press / move / turn any MIDI control.
   To learn a Rotary Selector, turn it 2 ticks in the same direction.

For more details, see:

• Dialog Box MIDI Learn

To check which MIDI controls are mapped to a specific control on the user interface:

• Right-click a user interface control.
  A dialog box will open and display the mapped MIDI controls for all Actions/Events.

• A mapped MIDI control can be removed by selecting it and pressing the Remove selected button.

For more details, see:

• Dialog Box MIDI Learn

Conversely, user interface controls that have a MIDI control mapped to them can also be shown:

• Press the Settings button.
  The settings dialog box opens.

• Select the Mapping tab.

• Press one of the View... buttons.

• Press/move/turn MIDI control or enter MIDI message.
  All user interface controls to which the MIDI control/message is mapped are displayed.

For more details, see:

• Dialog Box Settings / Tab: Mapping

DjMixEngine assigns an input/output port to every connected MIDI controller.

To see a list of all ports:

• Press the Settings button.
  The Settings dialog box opens.

• Select the Controller tab.
  The list view at the top displays all controllers and their assigned in/out ports.

For more details, see:

• Dialog Box Settings / Tab: Controller

To see a list of all MIDI controllers plugged in and currently connected to DjMixEngine, follow these steps:

• Press the Settings button.
  The Settings dialog box opens.

• Select the Controller tab.
  The two list views at the bottom show all controllers currently connected to DjMixEngine.

• Controllers can be selectively disconnected, and all plugged-in controlles can be reconnected.

For more details, see:

• Dialog Box Settings / Tab: Controller

If your MIDI DJ controller has a Loop Section (per deck) with buttons like In, Out, Reloop/Exit, 1/2x, 2x, etc., they can be mapped like this:

MIDI controller	User interface DjMixEngine
In	Cue Header: Set/In
Out	Cue Header: Out
Reloop/Exit	Cue Header: Hot
1/2x	Cue Header: 1/2x
2x	Cue Header: 2x
...	...
Auto Loop	Auto Loop

If the MIDI controller lacks an Auto Loop button, you can temporarily use the Out button on the controller as an Auto Loop by enabling Out Mode in the user interface.

If the MIDI DJ controller has (8) Performance Pads (per deck), they can be mapped as follows:

MIDI controller	User interface DjMixEngine
Pad 1	Cue Selector 1: Hot
Pad 2	Cue Selector 2: Hot
...	...

If the MIDI controller has an additional Shift button:

MIDI controller	User interface DjMixEngine
<shift> Pad 1	Cue Selector 1: Set
<shift> Pad 2	Cue Selector 2: Set
...	...

Enabling Auto Select in the user interface assigns the Cue Header to the corresponding Cue Selector when a Pad/Hot button is pressed. The Loop Section buttons on the MIDI controller, such as Reloop/Exit, 1/2x, 2x, etc., can then be used for this Cue Marker.

If your MIDI DJ controller has a Beat Fx Section, then it can be mapped as follows:

MIDI controller	User interface DjMixEngine
Button Half beat	Main Effect Selector Combobox Length Action: Select Previous Item
Button Double beat	Main Effect Selector Combobox Length Action: Select Next Item
Button Fx Select	Main Effect Selector Combobox Effect Selector Action: Select Next Item (cyclic)
Knob Level/Depth	Main Effect Selector Slider Strength/Dry/Wet Action: Set Value (default)
Button Effect On/Off	Main Effect Selector Button Lock Action: Toggle (default)
Switch to 1	Main Effect Selector Radio Button 1
Switch to 2	Main Effect Selector Radio Button 2
Switch to Master	Main Effect Selector Radio Button All
...	...

To map the Fx Section buttons (per deck) on a MIDI DJ controller with labels such as On, Lock On, 1, 2, 3, etc., follow these steps:

MIDI controller	User interface DjMixEngine
Button Effect On	Deck Effect Selector Button On
Button Effect Lock On	Deck Effect Selector Button Lock Action: Toggle (default)
Button 1	Deck Effect Selector (Select effect 1 of your choice) Combobox Effect Selector Action: Select Current Item
Button 2	Deck Effect Selector (Select effect 2 of your choice) Combobox Effect Selector Action: Select Current Item
Button 3	Deck Effect Selector (Select effect 3 of your choice) Combobox Effect Selector Action: Select Current Item
Button Select (shift 1)	Deck Effect Selector Combobox Effect Selector Action: Select Next Item (cyclic)
Button Half beat (shift 2)	Deck Effect Selector Combobox Length Action: Select Previous Item
Button Double beat (shift 3)	Deck Effect Selector Combobox Length Action: Select Next Item
...	...

If your MIDI DJ controller has a Shift button, a Jog Dial, and In, Out buttons that send different MIDI messages when Shift is held down, you can use the following mapping for quick and easy track searching:

MIDI controller	User interface DjMixEngine
Button <shift> In	Deck: Button Zoom In
Button <shift> Out	Deck: Button Zoom Out
Jog Dial <shift> Platter Touch	Deck: Waveform Action: Search Touch
Jog Dial <shift> Platter Rotate	Deck: Waveform Action: Search Rotate

By holding down the Shift button on the DJ controller, you can zoom in and out using the In and Out buttons. You can navigate through the track by touching the Platter and turning the Jog Dial.

The more you zoom out, the faster you navigate through the track.

When the Platter is being touched, the sound is muted if the deck is playing.

General Controls		Edit
Deck 1-4		Sample Parameters Subchannel Effects Deck Effects 1-4 Jog Dial Sensitvity
Cue Markers Deck 1-4	Deck Effect Selector 1-4
Mixer / Master		Main Effect Selector

Visible Decks
• 1 - 4
  Enabled: The corresponding deck is visible.
• 1x - 4x
  Enabled: The corresponding Cue Markers section and Deck Effect Selector are visible.
Controller Channel Swap
• 1 - 3
  Swaps MIDI controls assigned to deck 1 with those assigned to deck 3.
• 2 - 4
  Swaps MIDI controls assigned to deck 2 with those assigned to deck 4.
• 1 - 2
  Swaps MIDI controls assigned to deck 1 with those assigned to deck 2.
• 3 - 4
  Swaps MIDI controls assigned to deck 3 with those assigned to deck 4.
Fader

After swapping controller channels, the position of a MIDI fader or knob may not correspond to the position of the mapped user interface control. There are two methods to align them.

• Mute
  Enabled: All MIDI faders and knobs are currently muted. Moving a fader or knob will have no effect.

  The MIDI faders/knobs can now be moved to an appropriate position.

• Wait
  Enabled: Moving a MIDI fader/knob will not have any effect until it reaches the position of the mapped user interface control.
Stems
• Create
  Enabled: When a track is loaded into a deck, stems are automatically created in the background if they do not already exist. The same happens when a Mix is loaded into a deck, with stems being created for each Subchannel that uses them, if they do not already exist.
• Upgrade
  Opens the Upgrade Dialog Box.
  (See: Dialog Box Upgrade)
• Settings
  Opens the Settings dialog box.
  (See: Dialog Box Settings)
• Text box
  Displays messages.

• Empty Sample

  • 4 to 256 Beats.
    Selects the length of an empty Sample that can be copied to the clipboard.

• Copy
  Copies an empty Sample of the selected length to the clipboard.

• Open File
  Opens the file browser to load a track or Mix.
• Play / Pause
  Plays/pauses the deck.
• Zoom-In
  Zooms-in the waveform.
• Zoom-Out
  Zooms-out the waveform.
• 
  Moves the displayed waveform backwards.
• 
  Moves the displayed waveform forward.
• Splits
  Enables: Splits are displayed in the waveform according to the settings in the Sample Parameters and Subchannel Effects section.
  Disabled: No splits are displayed in the waveform.
• P (Platter)
  Sets Jog Mode to Platter. See description below.
• W (Wheel Side)
  Sets Jog Mode to Wheel Side. See description below.
• S (Search)
  Sets Jog Mode to Search. See description below.
• D (Display)
  Sets Jog Mode to Display. See description below.
• H (Hot)
  Sets Jog Mode to Hot. See description below.
• E (Edit)
  Sets Jog Mode to Edit. See description below.

• Jog Mode

  Specifies how the cursor and the waveform can be controlled with the mouse.

  • Platter
    Left mouse button pressed and held: Moves the cursor to the left and to the right according to your mouse movements.
  • Wheel (Wheel Side)
    Left mouse button pressed and held: Increases or decreases the tempo according to your mouse movements.
  • Search
    Same behavior as Platter, but the sound for this deck is muted while the mouse button is pressed.
  • Disp (Display)
    Left mouse button pressed and held: Moves the display to the left and to the right according to your mouse movements.
  • Hot
    Left mouse button pressed and deck is playing: Cursor jumps to the position of the mouse pointer.

    Left mouse button pressed and deck is paused: Cursor jumps to the position of the mouse pointer and deck starts playing. Deck stops playing when left mouse button is released.

  • Edit
    Left mouse button pressed: The corresponding Sample and Subchannel will be selected.

• Subchannel (Subchannel waveform)

  Selects which Subchannel waveform(s) is/are displayed.

  • All
    All Subchannel waveforms are displayed.
  • 1 -or- 2 -or 3 -or- 4
    The corresponding Subchannel waveform is displayed.
  • 1 / 2 -or- 3 / 4 -or- 1 / 3 -or- 2 / 4
    The corresponding two Subchannel waveforms are displayed.

• Combo box: Quantize (Quantization)

  • 1/16 to 4 Beats
    Selects the Quantize value.

    See also: Using Master, Sync, Quantize and Slip

• Combo box: Slip
  Selects the Slip modulo value.

  • Full
    The Slip distance is not limited.
    This is the default setting.
  • 4 to 16 Beats
    The Slip distance is limited according to the selected modulo value.

  See also: Using Master, Sync, Quantize and Slip

• Button: Quantize (Quantization)
  Enabled: Quantize is enabled with the corresponding value selected in the Quantize combobox (see above).

  See also: Using Master, Sync, Quantize and Slip

• Button: Slip
  Enabled: Slip is enabled with the corresponding value selected in the Slip combobox (see above).

  See also: Using Master, Sync, Quantize and Slip

• Follow
  Enabled: The displayed waveform follows the cursor. The cursor is always placed in the center of the displayed waveform.

  Disabled: Cursor can move out of the displayed waveform. The displayed waveform can be moved independently using the and buttons described above.

• Sync
  Enabled: Sync is enabled.

  See also: Using Master, Sync, Quantize and Slip

• Master
  Checked: This deck is the master deck.

  See also: Using Master, Sync, Quantize and Slip

• Deck Loop
  Enabled: At the end of the track or Mix, the deck will play from the beginning.
• Auto Mute
  Enabled: Deck is muted when another deck is started and unmuted again when another deck is paused.

  This makes it easy to make cuts from one deck to another.

• Tempo (Tempo Range)

  • 6% to 99.9%
    Selects the tempo range.

• Memory

  • A, B, C or D
    Selects the current Memory for the deck.

• Title
  Enabled: Displays the titles of the audio files of the Subchannels where the cursor is currently located.
• C (Cue Marker name)
  Enabled: Displays the name of the Cue Marker in the Samples.
• 
  Moves the cursor to the beginning of the track or Mix.
• Rev
  Pressed and held: Playback direction is reversed.
• Rev Lock
  Enabled: Playback direction is reversed.
• Pitch Bend -
  Pressed and held: Playback speed is temporarely decreased.
• Pitch Bend +
  Pressed and held: Playback speed is temporarely increased.
• - (Key down)
  Decreases the musical key by one semitone.
• + (Key up)
  Increases the musical key by one semitone.
• Wheel Mode (Jog Dial Wheel Side Mode)
  Enabled: Jog Dial Wheel Side Rotate behaves like Jog Dial Display Rotate.
• Set Mode
  Enabled: If Follow is disabled, then:

  Pressing a Set/In or Set button will place the Cue Marker at the center of the displayed waveform (rather than at the cursor position).

  Pressing the Split button will split the sample at the center of the displayed waveform (rather than at the cursor position).

  If Quantize is enabled, the positions will be adjusted according to the selected Quantize value.
• Snap Q (Snap Quantize)
  Moves the cursor to the nearest quantized position.
• Snap B (Snap Begin)
  Moves the cursor to the beginning of the Sample on which it is located.
• Enter Bpm
  Opens a dialog box to enter/change the Bpm. The Tempo Slider (and Tempo Range, if applicable) will be adjusted to match the entered Bpm.
• Sp (Speaker)
  Deck speaker volume.
• Hd (Headphone)
  Deck headphone volume.
• M Tempo (Master Tempo)
  Enabled: Master tempo is enabled.
• Stems
  Enabled: The filter and equalizer controls are used for Stems.
• 
  Opens the filebrowser to save Mix to file.

  Only the symbolic representation of the Mix is saved to the file.

• 
  Opens the filebrowser to save the downmixed audio from the Mix to a file.

  Downmixing is performed as quickly as possible.

• 
  Ejects track. / Deletes Mix.

  Deletes the Memory selected in the Memory combobox.

• Tempo
  Deck tempo
  Center position: No effect
Stems disabled:
• Filter
  Center position: Filter off
  Move left: Low pass filter
  Move right: High pass filter
• Low
  Low Eq level: 0% to 400%.
  Center position: No effect
• Mid
  Mid Eq level: 0% to 400%.
  Center position: No effect
• High
  High Eq level: 0% to 400%.
  Center position: No effect
Stems enabled:
• Bass
  Bass level: 0% to 400%.
  Center position: No effect
• Drums
  Drums level: 0% to 400%.
  Center position: No effect
• Vocals
  Vocals level: 0% to 400%.
  Center position: No effect
• Melody
  Melody level: 0% to 400%.
  Center position: No effect
• Gain
  Gain level: 0% to 400%.
  Center position: 100% (no effect)

• Cue Mode
  Modifies the function of the Hot buttons upon release. Refer to the Hot button description below.
• Out Mode
  Enabled: The Out button functions similarly to the Auto Loop button.
  If a MIDI controller has In and Out buttons but lacks an Auto Loop button, this can be used.
  Activating Out Mode allows temporary use of the Out button as an Auto Loop without altering the MIDI mapping.

• Auto Select
  Enabled: Pressing a Hot button of a Cue Selector assigns the Cue Header to that Cue Selector.
Beat Jump
• -256 1 to -1/4
  The cursor moves backward by the corresponding value.
• 1/4 to 256
  The cursor moves forward by the corresponding value.
Cue Header
• Enter Name
  A dialog box opens to enter/change the name of the Cue Marker.
• Cue
  If the Cue Selector is empty, it behaves like the Set/In button (see below).

  Otherwise:

  If the deck is playing: The deck pauses and the cursor jumps to the Cue Marker position.

  If the deck is paused and the cursor is not at the Cue Marker position: The Cue Marker will be set to the cursor position.

  If the deck is paused and the cursor is at the Cue Marker position: The deck starts to play, when the button is pressed, stops playing when the button is released, and jumps back to the Cue Marker position.

• Hot
  Pressed: The cursor will move to the Cue Marker position and begin/continue playback.
  If the Cue Marker is a loop, the loop is activated.
  Released: If Cue Mode is disabled, this has no effect.

  Otherwise: The deck returns to its previous position (increased by the Slip distance if Slip is enabled).

  If the Cue Marker is a loop, the loop is deactivated.

• Set/In
  Sets the Cue Marker position to the current cursor position.
• Out
  If the Cue Selector is empty, this has no effect.

  Otherwise: The current cursor position marks the end of the loop.

  The cursor moves to the Cue Marker, begins/continues playback, and activates the loop.

• Auto Loop
  Creates a loop at the current cursor position with the specified loop length.
• Active Loop
  If the Cue Marker is a loop, the loop will be activated, but the cursor will not jump to it.
• Active Loop 4
  (as above)... and loop length is set to 4 beats.
• 1/2x
  Halves the loop length.
• 2x
  Doubles the loop length.
• 1/3
  Sets the loop length to 1/3 beats.
• 3/4
  Sets the loop length to 3/4 beats.
• 1
  Sets the loop length to 1 beat.
• 4
  Sets the loop length to 4 beats.
• 8
  Sets the loop length to 8 beats.
• Off
  Deactivates the loop. The Cue Marker is now a point.
• Memory
  The Sample still contains the Cue Marker, but the Cue Selector no longer references it. To call/load the Cue Marker back into the Cue Selector, use the Call Prev and Call Next buttons (see below).

  A new Cue Marker can now be set (by pressing the Set/In or Set button without affecting the saved one).

• Delete
  Deletes the Cue Marker in the Sample. The Cue Selector will be empty. If the Cue Marker's loop (if any) is active, it will be deactivated.
• Call Prev
  Calls/loads the previous Cue Marker of the Mix into the Cue Selector.
• Call Next
  Calls/loads the next Cue Marker of the Mix into the Cue Selector.
Cue Selector 1-8
• Radio Button
  Checked: The Cue Header is assigned to this Cue Selector.
• Hot
  Same behavior as with the Hot button in the Cue Header above.
• Set
  Sets the Cue Marker to the current cursor position.
Beat Loop
• 1/64 to 256
  Sets a Cue Marker at the current cursor position, sets the corresponding loop length and activates the loop.
Loop Jump
• -16 to -1/4
  The Active Loop (if any) jumps backwards by the corresponding value.
• 1/4 to 16
  The Active Loop (if any) jumps forward by the corresponding value.

• Effect Selector

  The Deck Effect to which the Selector is assigned.

  • Band Pass/Stop
  • Lfo Volume
  • Lfo Flangler
  • Echo
  • Delay
  • Bitcrusher
  • Mono Removal
  • Reverse
  • Vinyl Start
  • Vinyl Brake
  • Vinyl Spin
  • Vinyl Scratch

• Length (Beats)

  • 1/16 to 4 Beats
    Sets the beat length of the corresponding Deck Effect, if applicable.

• Lock
  Enabled: Deck Effect is enabled.
• On
  Pressed: Deck Effect is enabled.
  Released: Deck Effect is disabled.
• Strength/Dry/Wet
  Sets the Strength or Dry/Wet value of the corresponding Deck Effect, if applicable.

• Deck 1-4

  • Thru
    The crossfader has no effect on this deck.
  • Left
    This deck is assigned to the left channel of the crossfader.
  • Right
    This deck is assigned to the right channel of the crossfader.

• Crossfader Curve Settings

  A dialog box opens for changing the curve settings of the curve selected in the Curve combo box.

  • Text box
    The current crossfader curve.
  • Transition
    The transition function (linear or square root).
  • Start
    The start point of the transition.
  • End
    The end point of the transition.

• Crossfader Curve

  The crossfader curve.

  • Blend
    Blend curve.
  • Cut
    Cut curve.
  • Scratch
    Scratch curve.

• Crossfader
  Crossfades between decks according to the settings above.

• Deck Sp (Speaker) Curve

  The curve of the deck speaker faders (Sp) can be changed for fast fade in and out.

  The following figures are schematic only. The linearly increasing part of the curves is actually non-linear.

  • Standard
    Normal curve, not modified.
  • Top
    Top curve.
  • Center
    Center curve.
  • Bottom
    Bottom curve.

Eject Lock
• 
  Enabled: Eject Lock is enabled.
  Prevents the Memory of a currently playing deck from being deleted.

• 
  Opens the file browser to select a file name.
  Starts recording Master Speaker output to file.
- or -
• 
  Stops recording Master Speaker output to file.
• Mono

  Disabled (default):

  Master Speaker and Master Headphone audio output is set to stereo.

  A sound card with at least four channels is required.

  The default playback device uses the audio channels as follows:
  Channel 1: Left Master Speaker output.
  Channel 2: Right Master Speaker output.
  Channel 3: Left Master Headphone output.
  Channel 4: Right Master Headphone output.

  Enabled:

  Master Speaker and Master Headphone audio output is set to mono.

  The audio channels of the default audio playback device are used as follows:
  Channel 1: Mono Master Speaker output.
  Channel 2: Mono Master Headphone output.

  A split adapter lets you connect a stereo speaker system and stereo headphones to a 2-channel (stereo) sound card. But remember, both will only output mono audio on their stereo channels.

• Master Speaker
  Master speaker volume.
• Speaker to Headphone
  Master speaker to master headphone volume control.
  Mixes master speaker to master headphone.
• Master Headphone
  Master headphone volume.

• Split Sample
  Splits the Sample at the cursor position.
• Copy Sample/Subchannel
  Copies the selected Sample to the clipboard.
• Delete Sample
  Deletes the selected Sample.
• Clear Subchannel
  Clears the selected Subchannel, i.e. the audio in the selected Subchannel is removed. It is then empty.
• Join Sample left/right
  Joins the selected Sample to its left or right neighbor. The parameters of the selected Sample are used for the joined Sample.
• Paste all Subchannels left/right
  Pastes the Sample in the clipboard to the left or right of the selected Sample.
• Paste one Subchannel left/right
  Pastes the Sample with only the selected Subchannel in the clipboard to the left or right of the selected Subchannel in the deck.
• Paste into Subchannel left/right
  Pastes the selected Subchannel in the clipboard left or right aligned into the selected empty Subchannel in the deck.
• Align to 1st (beat)
  Aligns the metronome positions of the sample sequence so that the leftmost sample starts with the first beat.
• Align to Sub(channel)
  Aligns the metronome positions of the sample sequence so that the leftmost sample starts with the metronome position of the selected Subchannel.
• Split all
  Splits all samples in the selected Sample sequence according to the selected Quantize value.
• Join all
  Joins all joinable samples in the selected Sample sequence.
• Extend (from) left/right
  Extends the selected empty Subchannels with the Subchannel from the left or right.
• Enlarge (to) left/right
  Enlarges the selected Sample by 4 beats to the left or right.
• Grid shift -/+
  Shifts the beat grid of the selected Subchannel's audio to left or right.
• Grid tempo -/+
  Decreases or increases the beat grid tempo of the selected Subchannel's audio.
• Key -/+
  Decreases or increases the detected musical key of the audio file in the selected Subchannel by one semitone.
• Minor / Major
  Sets the detected musical key of the audio file in the selected Subchannel to minor/major.

• Visualization Off
  Checked: All Splits are displayed in the waveform unless Splits are disabled in the Deck section.
• Tempo

  • Base Tempo

    • Subchannel 1-4 or 120 Bpm
      The Subchannel whose tempo is used as the base tempo for the Sample or 120 Bpm.
  • Master Tempo 1-4
    Enabled: Master Tempo is enabled for the corresponding Subchannel.
  • Tempo
    Sample tempo control.

  • Range

    • 6% to 99.9%
      Tempo range of the tempo control.
  • Enter Bpm
    Opens a dialog box to enter/change the Bpm. The Tempo Slider (and Tempo Range, if applicable) will be adjusted to match the entered Bpm.

• Pause at end
  The deck pauses when the end of the Sample is reached.

• Visualization Off
  Checked: All Splits are displayed in the waveform unless Splits are disabled in the Deck section.
• Info
  Information about the Subchannel audio.

  The detected Bpm and musical key of the Subchannel audio can be manually corrected here.

  • Title
    Displays the name of the audio file.
  • Detected Original Tempo
    Displays the detected tempo of the audio file.
  • Enter Bpm
    Opens a dialog box to change the detected Bpm.
  • Detected Key
    Displays the detected musical key of the audio file.
  • - / +
    Decreases or increases the detected musical key of the audio file in the selected Subchannel by one semitone.
  • Minor / Major
    Sets the detected musical key of the audio file in the selected Subchannel to minor/major.

• Pitch Shift

  • - / +
    Shifts a semitone down or up.
  • -12 to +12
    Shifts the audio down or up by the corresponding number of semitones.

• Gain

  • Level
    Gain level: 0% to 400%.
    Center position: 100% (no effect)

An Effect Automation linearly interpolates the current effect parameter between a start and an end parameter. The start and the end parameters refer to the beginning and the end of the Sample, respectively.

• Volume Automation

  • Start Volume
    Volume at the beginning of the Sample.
  • End Volume
    Volume at the end of the Sample.
  • Align to Start
    Sets the End Volume level to the Start Volume level.
  • End
    Sets the Start Volume level to the End Volume level.
  • Left
    Sets the Start Volume level to the End Volume level of the corresponding Subchannel in the previous Sample.
  • Right
    Sets the End Volume level to the Start Volume level of the corresponding Subchannel in the next Sample.

• High Eq Automation

  • Start Frequency
    Frequency at the beginning of the Subchannel.
  • End Frequency
    Frequency at the end of the Subchannel.
  • Align to Start
    Sets the End Frequency to the Start Frequency.
  • End
    Sets the Start Frequency to the End Frequency.
  • Left
    Sets the Start frequency to the End frequency of the corresponding Subchannel in the previous Sample.
  • Right
    Sets the End frequency to the Start frequency level of the corresponding Subchannel in the next Sample.

• Mid Eq Automation

  • Start Frequency
    Frequency at the beginning of the Subchannel.
  • End Frequency
    Frequency at the end of the Subchannel.
  • Align to Start
    Sets the End Frequency to the Start Frequency.
  • End
    Sets the Start Frequency to the End Frequency.
  • Left
    Sets the Start frequency to the End frequency of the corresponding Subchannel in the previous Sample.
  • Right
    Sets the End frequency to the Start frequency level of the corresponding Subchannel in the next Sample.

• Low Eq Automation

  • Start Frequency
    Frequency at the beginning of the Subchannel.
  • End Frequency
    Frequency at the end of the Subchannel.
  • Align to Start
    Sets the End Frequency to the Start Frequency.
  • End
    Sets the Start Frequency to the End Frequency.
  • Left
    Sets the Start frequency to the End frequency of the corresponding Subchannel in the previous Sample.
  • Right
    Sets the End frequency to the Start frequency level of the corresponding Subchannel in the next Sample.

• Filter Automation

  • Start Frequency
    Frequency at the beginning of the Subchannel.
  • End Frequency
    Frequency at the end of the Subchannel.
  • Align to Start
    Sets the End Frequency to the Start Frequency.
  • End
    Sets the Start Frequency to the End Frequency.
  • Left
    Sets the Start frequency to the End frequency of the corresponding Subchannel in the previous Sample.
  • Right
    Sets the End frequency to the Start frequency level of the corresponding Subchannel in the next Sample.

• Band Pass/Stop Automation

  • Start Frequency
    Frequency at the beginning of the Subchannel.
  • End Frequency
    Frequency at the end of the Subchannel.
  • Align to Start
    Sets the End Frequency to the Start Frequency.
  • End
    Sets the Start Frequency to the End Frequency.
  • Left
    Sets the Start frequency to the End frequency of the corresponding Subchannel in the previous Sample.
  • Right
    Sets the End frequency to the Start frequency level of the corresponding Subchannel in the next Sample.

• Stems

  • Bass
    Bass level: 0% to 400%.
    Center position: No effect
  • Drum (Drums)
    Drums level: 0% to 400%.
    Center position: No effect
  • Vocal (Vocals)
    Vocals level: 0% to 400%.
    Center position: No effect
  • Melody
    Melody level: 0% to 400%.
    Center position: No effect
  • Create
    Stems will be created for the corresponding Subchannel if they do not already exist.

An Lfo (Low Frequency Oscillator) effect oscillates the current effect parameter at a low frequency/period according to a transition function.

• Lfo Volume

  • Strength
    Center position: No effect.
    Left/Right position: Max effect.

  • Length (Beats)

    • 1/16 to 4 Beats
      Period of the Lfo.

  • Tansition

    • Sawtooth
    • Triangle
    • Square
• Lfo Flangler

  • Strength
    Left position: Min effect.
    Right position: Max effect.

  • Length (Beats)

    • 1/16 to 4
      Period of the Lfo.

  • Tansition

    • Sawtooth
    • Triangle
    • Square
• Echo

  • Dry/Wet
    The balance between the original audio and the echo.
    Move left: Original audio.
    Move right: Echo repeats.
  • End Volume
    Volume of the last echo repeat relative to the Dry/Wet setting.
  • Feedback
    Number of echo repeats.
  • Filter Frequency
    Low/High pass filter.
    Center position: Filter off.
    Move left: Low pass filter.
    Move right: High pass filter.

  • Delay (Beats)

    • 1/16 to 4
      Distance between echo repeats.
• Delay

  • Dry/Wet
    The balance between the original audio and the echo.
    Move left: Original audio.
    Move right: Echo repeats.
  • End Volume
    Volume of the last echo repeat relative to the Dry/Wet setting.
  • Feedback
    Number of echo repeats.
  • Filter Frequency
    Low/High pass filter.
    Center position: Filter off.
    Move left: Low pass filter.
    Move right: High pass filter.

  • Delay (Beats)

    • 1/16 to 4
      Distance between echo repeats.
• Bitcrusher

  • Strength
    Left: No effect.
    Right: Maximum effect.

• Mono Removal

  • Dry/Wet
    Center position: No effect.
    Left/right position: Maximum effect.

• Reverse
  Reverses the audio playback direction.
• Vinyl Start

  • Length (Beats)

    • 1/16 to 4
      Duration of vinyl start.
  • Audio Length (% of Length)
    Length of audio played.

• Vinyl Brake

  • Length (Beats)

    • 1/16 to 4
      Duration of vinyl brake.
  • Audio Length (% of Length)
    Length of audio played.

• Vinyl Spin

  • Direction

    • Fwd
      Spins forward.
    • Rev
      Spins backwards.

  • Length (Beats)

    • 1/16 to 4
      Duration of vinyl spin.
  • Start Speed Factor
    Speed at start of spin relative to the playback speed.
  • End Speed Factor
    Speed at the end of spin relative to the playback speed.

• Vinyl Scratch

  • Length (Beats)

    • 1/16 to 4
      Duration of a scratch period.
  • Min Speed Factor
    Minimum scratch speed relative to the playback speed.
  • Max Speed Factor
    Maximum scratch speed relative to the playback speed.

• Beat Grid

  A 16x16 matrix of toggle buttons that divide a bar into 1/4 beats (1/16 bars).
  • Toggle button at colums i and row j
    Checked: Play the i-th 1/4 beat of the subchannel at the j-th 1/4 beat position.

• Inverse
  Inverts the audio (additive inverse).
  Can be used to avoid/induce destructive interference.
• Phase Adjust

  • Phase Adjust
    Moves the position of the subchannel audio slidely forward/backward. (Not suitable for beat grid adjustment.)
    Can be used to avoid/induce destructive interference.

• Deck End Notification

  Flashes the waveform when a track or Mix is nearing its end.

  • Interval (sec)

    • 1/2 - 4
      The interval at which the waveform flashes.
• Pitch Shift

  • - / +
    Shifts a semitone down or up.
  • -12 to +12
    Shifts the audio down or up by the corresponding number of semitones.

• Band Stop/Pass

  • Frequency
    Center position: Filter off.
    Move left: Band pass filter.
    Move right: Band stop filter.

• Lfo Volume

  • Strength
    Center position: No effect.
    Left/Right position: Max effect.

  • Length (Beats)

    • 1/16 to 4 Beats
      Period of the Lfo.

  • Tansition

    • Sawtooth
    • Triangle
    • Square
• Lfo Flangler

  • Strength
    Left position: Min effect.
    Right position: Max effect.

  • Length (Beats)

    • 1/16 to 4 Beats
      Period of the Lfo.

  • Tansition

    • Sawtooth
    • Triangle
    • Square
• Echo

  • Dry/Wet
    The balance between the original audio and the echo.
    Move left: Original audio.
    Move right: Echo repeats.
  • End Volume
    Volume of the last echo repeat relative to the Dry/Wet setting.
  • Feedback
    Number of echo repeats.
  • Filter Frequency
    Low/High pass filter.
    Center position: Filter off.
    Move left: Low pass filter.
    Move right: High pass filter.

  • Delay (Beats)

    • 1/16 to 4 Beats
      Distance between echo repeats.
• Delay

  • Dry/Wet
    The balance between the original audio and the echo.
    Move left: Original audio.
    Move right: Echo repeats.
  • End Volume
    Volume of the last echo repeat relative to the Dry/Wet setting.
  • Feedback
    Number of echo repeats.
  • Filter Frequency
    Low/High pass filter.
    Center position: Filter off.
    Move left: Low pass filter.
    Move right: High pass filter.

  • Delay (Beats)

    • 1/16 to 4 Beats
      Distance between echo repeats.
• Bitcrusher

  • Strength
    Left: No effect.
    Right: Maximum effect.

• Mono Removal

  • Dry/Wet
    Center position: No effect.
    Left/right position: Maximum effect.

• Reverse
  Reverses the audio playback direction.
• Vinyl Start

  • Length (Beats)

    • 1/16 to 4 Beats
      Duration of vinyl start.
  • Audio Length (% of Length)
    Length of audio played.

• Vinyl Brake

  • Length (Beats)

    • 1/16 to 4 Beats
      Duration of the vinyl brake.
  • Audio Length (% of Length)
    Length of audio played.

• Vinyl Spin

  • Direction

    • Fwd
      Spins forward.
    • Rev
      Spins backwards.

  • Length (Beats)

    • 1/16 to 4 Beats
      Duration of the vinyl spin.
  • Start Speed Factor
    Speed at start of spin relative to the playback speed.
  • End Speed Factor
    Speed at the end of the spin relative to the playback speed.

• Vinyl Scratch

  • Length (Beats)

    • 1/16 to 4 Beats
      Duration of a scratch period.
  • Min Speed Factor
    Minimum scratch speed relative to the playback speed.
  • Max Speed Factor
    Maximum scratch speed relative to the playback speed.

• Platter / Search Rotate Sensitvity
  The rotation sensitivity of the mapped MIDI jog dial.
• Wheel Side Rotate Sensitvity
  The rotation sensitivity of the mapped MIDI jog dial.

• Effect Selector

  The Deck Effect to which the Selector is assigned.

  • Band Pass/Stop
  • Lfo Volume
  • Lfo Flangler
  • Echo
  • Delay
  • Bitcrusher
  • Mono Removal
  • Reverse
  • Vinyl Start
  • Vinyl Brake
  • Vinyl Spin
  • Vinyl Scratch

• Length (Beats)

  • 1/16 to 4 Beats
    Sets the beat length of the corresponding Deck Effect, if applicable.

• Lock
  Enabled: Deck Effect is enabled.
• On
  Pressed: Deck Effect is enabled.
  Released: Deck Effect is disabled.
• Strength/Dry/Wet
  Sets the Strength or Dry/Wet value of the corresponding Deck Effect, if applicable.
• 1 - 4, All
  Checked: The Main Effect Selector is assigned to the corresponding deck(s).

• Dialog Box File Browser

• Dialog Box Upgrade

• Dialog Box Settings

• Dialog Box MIDI Learn

Pressing one of the , , or buttons opens file browser.

• Parent
  Opens parent folder.
• Text Box
  Displays the current folder.

• List view of all folders and files in the current folder.

  • Foldername
  - or -
  • Filename
  • Bpm
    The detected Bpm (beats per minute).
  • Key
    The detected musical key.
    A trailing 'm' indicates minor key.
    No trailing 'm' means major key.

• Text Box: Filename
  Displays the selected filename.
  File name can also be entered manually.
• Button: Open Folder / File
  Opens the selected file or folder, if any.
• Button: Cancel
  Closes the dialog box.

Settings
Controller	Mapping	Stems Queue
Preprocessed Files	Original Files of Mixes	Latency
Info/About	Lights

• Tab: Controller

  • List view showing all ports assigned to controllers

    • Port
      Port number
    • Controller In/Out
      Name of the in/out controller(s).
    • Filename
      The filename of the last imported/exported mapping.
      The filename has an asterisk (*) at the end if the mapping was modified after it was exported.
      Until a mapping is imported/exported, the filename is 'unnamed'.
    • Channel Matching
      Matching channels for MIDI learn.

  • Button: Import Mapping
    Imports a mapping from a file for the selected port.
  • Button: Export Mapping
    Exports a mapping to a file for the selected port.
  • Button: Clear Mapping
    Clears the mapping for the selected port.
  • Button: Show Mapping
    Displays the mapping for the selected port.
  • Button: Add Channel Symmetry
    Adds a channel symmetry to the selected port.
  • Button: Remove all Channel Symmetries
    Removes all channel symmetries for the selected port.
  • List view: Connected MIDI Controllers (In)
    Shows all MIDI IN controllers plugged into the computer AND currently connected to DjMixEngine.
  • Button: Connect all
    All MIDI IN controllers plugged into the computer will be connected to DjMixEngine.
  • Button: Disconnect selected
    Disconnects the selected MIDI IN controller from DjMixEngine.
  • List view: Connected MIDI Controllers (Out)
    Displays all MIDI OUT controllers plugged into the computer AND currently connected to DjMixEngine.
  • Button: Connect all
    All MIDI OUT controllers plugged into the computer will be connected to DjMixEngine.
  • Button: Disconnect selected
    Disconnects the selected MIDI OUT controller from DjMixEngine.

• Tab: Mapping

  • Button: Show Mapping of Key/MIDI Control
    Opens a dialog box to press/move/turn a MIDI control.
    The corresponding MIDI message is displayed in the text block below.
  • Button: Show Mapping of MIDI Rotary
    Opens a dialog box to turn a MIDI rotary.
    The corresponding MIDI message is displayed in the text block below.
  • Button: Show Mapping of Control by entering Note
    Opens a dialog box for entering a MIDI note-on message.
    The corresponding MIDI message is displayed in the text block below.
  • Button: Show Mapping of Control by entering ControlChange
    Opens a dialog box for entering a MIDI control-change message.
    The corresponding MIDI message is displayed in the text block below.
  • Text Block: Key/MIDI Control
    Displays the MIDI message of the pressed/moved/turned MIDI control, using the following syntax:
    [p] Ch: n, Nt: m
    [p] Ch: n, Ctrl: m
    [p] Ch: n, CtrlMsb: m1, CtrlLsb: m2
    where:
    p: port (see: Dialog Box Settings / Tab: Controller)
    n: channel
    m or m and m2: note or controller

  • List view
    Displays all user interface controls to which the MIDI control in the text block above is mapped.
  • Button: Remove selected
    Removes the mapping for the selected item in the list view above.

• Tab: Stems Queue

  • Text Box
    Displays the original file currently being processed (if any).
  • List view.
    Displays all original files that are queued for Stems generation.
  • Button: Refresh
    Refreshes the list view above.
  • Button: Remove
    Removes the selected item from the list view above.

• Tab: Preprocessed Files

  When an audio file is loaded into DjMixEngine, pre-processed audio data files are created and stored on the hard disk. These files can take up a lot of disk space. If necessary they can be deleted selectively.

  • List view that displays the path and filename of all original files for which preprocessed data files exist.

    • Original file
      Path and filename of the original file.
    • State
      Indicates whether the original file (path and filename) still exists.
    • Preprocessed files
      The preprocessed data files that exist for this original file.
    • Total size of files
      The total size of all preprocessed data files for this original file.

  • Button: Refresh
    Refreshes the list view above.
  • Button: Remove all preprocessed files for selected item
    Removes all preprocessed data files for the selected original file.
  • Button: Remove Stems/WaveX files for selected item
    Removes Stems/WaveX files (stem separation) for the selected original file.
  • Button: Remove Wav/Wave files for selected item
    Removes Wav/Wave files for the selected original file.
  • Button: Remove Bpm/Key/Def files for selected item
    Removes Bpm/Key/Def files for the selected original file.
  • Text box: Change Path Prefix from
    Path prefix to replace.
  • Text box: Change Path Prefix to
    Target path prefix.
  • Button: Change selected Path Prefix
    Changes the path prefix of the selected item according to the text boxes above.
  • Button: Change all Path Prefixes
    Changes the path prefix for all items according to the text boxes above.
  • Text box: Search Path
    Path of the folder to search for original files.
  • Button: Search selected item filename
    Searches for the original file for the selected item.
    (Not implemented yet.)
  • Button: Search all item filenames
    Searches for the original files for all items.
    (Not implemented yet.)

• Tab: Original Files of Mixes

  • Text box displaying the path and filename of the loaded Mix.
  • Button: Open Mix
    Opens the file browser to select a Mix.
  • Button: Refresh
    Refreshes the list view below.

  • List view displaying files

    • Original file
      Path and filename of the original file.
    • State
      Indicates whether the original file (path and filename) still exists.
  • Text box: Change Path Prefix from
    Path prefix to replace.
  • Text box: Change Path Prefix to
    Target path prefix.
  • Button: Change selected Path Prefix
    Changes the path prefix of the selected item according to the text boxes above.
  • Button: Change all Path Prefixes
    Changes the path prefix for all items according to the text boxes above.
  • Text Box: Search Path
    Path to the folder to search for original files.
  • Button: Search selected item filename
    Searches for the original file for the selected item.
    (Not implemented yet.)
  • Button: Search all item filenames
    Searches for the original files for all items.
    (Not implemented yet.)

• Tab: Latency

  • Combo box: Audio Buffer

    • 10, 20, ..., 160
      Additional latency time (ms) added to audio playback. Higher latency can prevent audio glitches.

  • Slider: Slider Tempo
    Minimum latency time (ms) between the processing of two slider movements. This only affects the Tempo sliders. Higher latency can prevent audio glitches.

• Tab: Info/About

  • Button: DjMixEngine Website
    Opens djmixengine.com website in your default browser.
  • Button: DjMixEngine Support Website
    Opens djmixengine.com support website in your default browser.
  • Button: Privacy Policy
    Opens a webpage in the default browser with the privacy policy of the DjMixEngine Desktop App.
  • Button: Licenses third party software
    Opens a webpage in the default browser showing all licenses of third party software used by the DjMixEngine Desktop App.

• Tab: Lights
  (Not available in DjMixEngine Tech-Demo.)

  Smart Home lamps can be lit based on the color and level of the waveform at the cursor position while a deck is playing. If multiple subchannels or decks are in use, the colors and levels will be combined.

  • List view showing all connected lights

    • Id
      The ID of the lamp.
    • Name
      Name of the lamp.
    • Type
      Type of the lamp.
    • Reachable
      Indicates whether the lamp is reachable from the bridge/gateway.
    • In Use
      Indicates whether the lamp is in use by DjMixEngine.

  • Button: Refresh
    Refreshes the list view above.
  • Button: Add/Remove selected
    Toggles the use of the selected lamp.
  • Button: Alert selected
    Alerts (flashes) the selected lamp.
  • Slider: Min Brightness
    Minimum bightness.
  • Slider: Max Brightness
    Maximum bightness.
  • Text Box: IP Address
    Text box for entering the IP address of the bridge/gateway.
  • Text Box: User
    Text box for entering a registered bridge/gateway username.
  • Button: Set IP/User
    Sets the IP address and username entered in the text boxes above.

For most user interface controls, right-clicking opens a dialog box with one or more boxes.

Action / Event Box

Action -or- Event: ...

Key / MIDI Message List view displaying Key/MIDI Messages

Button: Learn

Button: Enter

Button: Remove selected

Button: Toggle selected: fixed

• Textblock: Action/Event
  The action that the MIDI control will perform.
  -or-
  The event that causes a MIDI message to be sent.
• List view displaying Key/MIDI Messages
  Syntax of MIDI messages:
  [p] Ch: n, Nt: m
  [p] Ch: n, Ctrl: m
  [p] Ch: n, CtrlMsb: m1, CtrlLsb: m2
  where:
  p: port (see: Dialog Box Settings / Tab: Controller)
  n: channel
  m or m and m2: note or controller

• Button: Learn
  Opens a dialog box to learn a MIDI message by pressing/moving a MIDI control.
• Button: Enter
  Opens a dialog box for manually entering a MIDI message.
• Button: Remove selected
  Removes the selected mapping in the list view above.
• Button: Toggle selected: fixed
  The selected MIDI message will not be swapped by a Controller Channel Swap.

  See: General Controls / Controller Channel Swap

The following describes the different actions and events of the Action/Event boxes.

• Right-click: Jog Dial / Waveform

• Right-click: Metronome

• Right-click: Peak Meter

• Right-click: Button

• Right-click: Toggle Button / Checkbox

• Right-click: Combobox

• Right-click: Slider / Fader

• Right-click: List View (of File Browser)

• Right-click: Jog Dial / Waveform

  • Action: Jog Dial Platter Touch
  • Action: Jog Dial Platter Rotate
  • Action: Jog Dial Wheel Side Rotate
  • Action: Jog Dial Search Touch
  • Action: Jog Dial Search Rotate
  • Action: Jog Dial Display Rotate
  • Event: Deck End Notification
    MIDI messages (note-on 127 followed by note-on 0) are sent periodically when a track or Mix is nearing its end.
  • Event: Deck No >= 1
    A MIDI message is sent if the deck number (1 through 4) is greater than or equal to 1.
  • Event: Deck No >= 2
    ... greater than or equal to 2.
  • Event: Deck No >= 3
    ... greater than or equal to 3.
  • Event: Deck No >= 4
    ... greater than or equal to 4.

  Mapping the 4 events to 4 LED MIDI buttons in sequence will result in the lighting up of a certain number of buttons, indicating the deck number.

  See: General Controls / Controller Channel Swap

• Right-click: Metronome

  • Event: Metronome 1st Beat
    When the metronome changes to the first beat, a MIDI note-on message with a value of 127 is sent.
    Similarly, when the metronome leaves the first beat, a MIDI note-on message with a value of 0 is sent.
  • Event: Metronome 2nd Beat
    ... second beat.
  • Event: Metronome 3rd Beat
    ... third beat.
  • Event: Metronome 4th Beat
    ... fourth beat.
  • Event: Metronome Position
    A MIDI message is sent periodically based on the metronome position.
  • Event: Metronome 1st Slip Beat
    When the metronome changes to the first slip beat, a MIDI note-on message with a value of 127 is sent.
    Similarly, when the metronome leaves the first slip beat, a MIDI note-on message with a value of 0 is sent.
  • Event: Metronome 2nd Slip Beat
    ... second slip beat.
  • Event: Metronome 3rd Slip Beat
    ... third slip beat.
  • Event: Metronome 4th Slip Beat
    ... fourth slip beat.
  • Event: Metronome Slip Position
    A MIDI message is sent periodically based on the metronome position.

• Right-click: Peak Meter

  • Event: Peak Meter Mono
    A MIDI message is sent periodically based on the current Mono Peak meter value.
  • Event: Peak Meter Left
    ... Left Peak meter value.
    (Not implemented yet.)
  • Event: Peak Meter Right
    ... Right Peak meter value.
    (Not implemented yet.)

• Right-click: Button

  • Action: Press
    Presses the user interface button when the mapped MIDI button is pressed.

• Right-click: Toggle Button / Checkbox

  • Action: Toggle
    Toggles the user interface toggle button / checkbox when the mapped MIDI button is pressed.
  • Action: Check
    Checks the user interface toggle button / checkbox when the mapped MIDI button is pressed.
  • Action: Uncheck
    Unchecks the user interface toggle button / checkbox when the mapped MIDI button is pressed.

• Right-click: Combobox

  • Action: Select Previous Item
    Selects the previous item in the user interface combobox when the mapped MIDI button is pressed.
  • Action: Select Next Item
    Selects the next item in the user interface combobox when the mapped MIDI button is pressed.
  • Action: Select Next Item (cyclic)
    Selects the next (cyclic) item in the user interface combobox when the mapped MIDI button is pressed.
  • Action: Select Current Item
    Selects the current item of the user interface combobox when the mapped MIDI button is pressed.
    The current item is the item that is selected when the mapping is learned/entered.

• Right-click: Slider / Fader

  • Action: Set Value
    Sets the position of the user interface slider to the position of the mapped MIDI fader/knob when it is moved.
  • Action: Set Inverse Value
    Sets the position of the user interface slider to the inverse position of the mapped MIDI fader/knob when it is moved.
  • Action: Toggle Min / Max Value
    Toggles the user interface slider between minimum and maximum positions when the mapped MIDI button is pressed.
  • Action: Decrement Value
    Decreases the user interface slider position when the mapped MIDI button is pressed.
  • Action: Increment Value
    Increases the user interface slider position when the mapped MIDI button is pressed.
  • Action: Set to Current Value
    Sets the user interface slider to the current position when the mapped MIDI button is pressed.
    The current position is the position of the slider when the mapping is learned/entered.

• Right-click: List View (of File Browser)

  • Action: Scroll Item
    Scrolls to the previous/next item in the user interface list view when the mapped MIDI rotary selector is turned.
  • Action: Fast Scroll Item
    Scrolls to the 3rd previous/next item in the user interface list view when the mapped MIDI rotary selector is turned.
  • Action: Select Previous Item
    Selects the previous item in the user interface list view when the mapped MIDI button is pressed.
  • Action: Select Next Item
    Selects the next item in the user interface list view when the mapped MIDI button is pressed.
  • Action: Fast Select Previous Item
    Selects the 3rd previous item in the user interface list view when the mapped MIDI button is pressed.
  • Action: Fast Select Next Item
    Selects the 3rd next item in the user interface list view when the mapped MIDI button is pressed.

• <Windows-Installation-Folder> \ Users \ <Username> \ Music \ DjMixEngine \ {d4a46567-374a-4f32-8681-3cf691e3d874}

• High disk usage due to preprocessed audio data files.
• When Master tempo is enabled, moving the tempo slider may cause audio artifacts.
• Multi-core parallelization: Audio generation and waveform drawing can run on different cores for each deck. Within a deck, however, there is no further parallelization for the individual subchannels.
• Bpm detection, key detection and master tempo / pitch shift are still experimental.

You can report bugs and crashes to:

Privacy Policy / Datenschutzerklärung

Privacy Policy

Personal data (usually referred to just as „data“ below) will only be processed by us to the extent necessary and for the purpose of providing a functional and user-friendly website, including its contents, and the services offered there.

Per Art. 4 No. 1 of Regulation (EU) 2016/679, i.e. the General Data Protection Regulation (hereinafter referred to as the „GDPR“), „processing“ refers to any operation or set of operations such as collection, recording, organization, structuring, storage, adaptation, alteration, retrieval, consultation, use, disclosure by transmission, dissemination, or otherwise making available, alignment, or combination, restriction, erasure, or destruction performed on personal data, whether by automated means or not.

The following privacy policy is intended to inform you in particular about the type, scope, purpose, duration, and legal basis for the processing of such data either under our own control or in conjunction with others. We also inform you below about the third-party components we use to optimize our website and improve the user experience which may result in said third parties also processing data they collect and control.

Our privacy policy is structured as follows:

I. Information about us as controllers of your data
II. The rights of users and data subjects
III. Information about the data processing

I. Information about us as controllers of your data

The party responsible for this website (the „controller“) for purposes of data protection law is:

Markus Rall (see Legal Notice)

II. The rights of users and data subjects

With regard to the data processing to be described in more detail below, users and data subjects have the right

• to confirmation of whether data concerning them is being processed, information about the data being processed, further information about the nature of the data processing, and copies of the data (cf. also Art. 15 GDPR);
• to correct or complete incorrect or incomplete data (cf. also Art. 16 GDPR);
• to the immediate deletion of data concerning them (cf. also Art. 17 DSGVO), or, alternatively, if further processing is necessary as stipulated in Art. 17 Para. 3 GDPR, to restrict said processing per Art. 18 GDPR;
• to receive copies of the data concerning them and/or provided by them and to have the same transmitted to other providers/controllers (cf. also Art. 20 GDPR);
• to file complaints with the supervisory authority if they believe that data concerning them is being processed by the controller in breach of data protection provisions (see also Art. 77 GDPR).

In addition, the controller is obliged to inform all recipients to whom it discloses data of any such corrections, deletions, or restrictions placed on processing the same per Art. 16, 17 Para. 1, 18 GDPR. However, this obligation does not apply if such notification is impossible or involves a disproportionate effort. Nevertheless, users have a right to information about these recipients.

Likewise, under Art. 21 GDPR, users and data subjects have the right to object to the controller’s future processing of their data pursuant to Art. 6 Para. 1 lit. f) GDPR. In particular, an objection to data processing for the purpose of direct advertising is permissible.

III. Information about the data processing

Your data processed when using our website will be deleted or blocked as soon as the purpose for its storage ceases to apply, provided the deletion of the same is not in breach of any statutory storage obligations or unless otherwise stipulated below.

Server data

For technical reasons, the following data sent by your internet browser to us or to our server provider will be collected, especially to ensure a secure and stable website: These server log files record the type and version of your browser, operating system, the website from which you came (referrer URL), the webpages on our site visited, the date and time of your visit, as well as the IP address from which you visited our site.

The data thus collected will be temporarily stored, but not in association with any other of your data.

The basis for this storage is Art. 6 Para. 1 lit. f) GDPR. Our legitimate interest lies in the improvement, stability, functionality, and security of our website.

The data will be deleted within no more than seven days, unless continued storage is required for evidentiary purposes. In which case, all or part of the data will be excluded from deletion until the investigation of the relevant incident is finally resolved.

YouTube

We maintain an online presence on YouTube to present our services and to communicate with prospects. YouTube is a service of Google Ireland Limited, Gordon House, Barrow Street, Dublin 4, Ireland, a subsidiary of Google LLC, 1600 Amphitheater Parkway, Mountain View, CA 94043 USA.

We would like to point out that this might cause user data to be processed outside the European Union, particularly in the United States. This may increase risks for users that, for example, may make subsequent access to the user data more difficult. We also do not have access to this user data. Access is only available to YouTube.

The YouTube privacy policy can be found here:

https://policies.google.com/privacy

General introduction

General linking to third-party profiles

The provider includes a link on the website to the social media listed below.

The legal basis for this is Article 6 para. 1 lit. f GDPR. The legitimate interest of the provider is to improve the quality of use of the website.

The plugins are integrated via a linked graphic. The user is only forwarded to the service of the respective social media by clicking on the corresponding graphic.

After the customer has been forwarded, information about the user is recorded by the respective social media. This is initially data such as IP address, date, time and page visited. If the user is logged into his/her user account of the respective social media at the same time, the social media operator can, if required, assign the information collected from the user’s specific visit to the user’s personal account. If the user interacts via a “Share” button of the respective social media, this information can be stored in the user’s personal user account and, if required, be published. If the user wants to prevent the collected information from being directly assigned to his/her user account, the user must log out before clicking on the graphic. It is also possible to configure the respective user account accordingly.

The following social media are linked by the provider:

YouTube

Google Ireland Limited, Gordon House, Barrow Street, Dublin 4, Irland, a subsidiary of Google LLC, 1600 Amphitheatre Parkway, Mountain View, CA 94043 USA

Privacy Policy: https://policies.google.com/privacy

Model Data Protection Statement for Anwaltskanzlei Weiß & Partner

Datenschutzerklärung

Personenbezogene Daten (nachfolgend zumeist nur „Daten“ genannt) werden von uns nur im Rahmen der Erforderlichkeit sowie zum Zwecke der Bereitstellung eines funktionsfähigen und nutzerfreundlichen Internetauftritts, inklusive seiner Inhalte und der dort angebotenen Leistungen, verarbeitet.

Gemäß Art. 4 Ziffer 1. der Verordnung (EU) 2016/679, also der Datenschutz-Grundverordnung (nachfolgend nur „DSGVO“ genannt), gilt als „Verarbeitung“ jeder mit oder ohne Hilfe automatisierter Verfahren ausgeführter Vorgang oder jede solche Vorgangsreihe im Zusammenhang mit personenbezogenen Daten, wie das Erheben, das Erfassen, die Organisation, das Ordnen, die Speicherung, die Anpassung oder Veränderung, das Auslesen, das Abfragen, die Verwendung, die Offenlegung durch Übermittlung, Verbreitung oder eine andere Form der Bereitstellung, den Abgleich oder die Verknüpfung, die Einschränkung, das Löschen oder die Vernichtung.

Mit der nachfolgenden Datenschutzerklärung informieren wir Sie insbesondere über Art, Umfang, Zweck, Dauer und Rechtsgrundlage der Verarbeitung personenbezogener Daten, soweit wir entweder allein oder gemeinsam mit anderen über die Zwecke und Mittel der Verarbeitung entscheiden. Zudem informieren wir Sie nachfolgend über die von uns zu Optimierungszwecken sowie zur Steigerung der Nutzungsqualität eingesetzten Fremdkomponenten, soweit hierdurch Dritte Daten in wiederum eigener Verantwortung verarbeiten.

Unsere Datenschutzerklärung ist wie folgt gegliedert:

I. Informationen über uns als Verantwortliche
II. Rechte der Nutzer und Betroffenen
III. Informationen zur Datenverarbeitung

I. Informationen über uns als Verantwortliche

Verantwortlicher Anbieter dieses Internetauftritts im datenschutzrechtlichen Sinne ist:

Markus Rall (siehe Impressum)

II. Rechte der Nutzer und Betroffenen

Mit Blick auf die nachfolgend noch näher beschriebene Datenverarbeitung haben die Nutzer und Betroffenen das Recht

• auf Bestätigung, ob sie betreffende Daten verarbeitet werden, auf Auskunft über die verarbeiteten Daten, auf weitere Informationen über die Datenverarbeitung sowie auf Kopien der Daten (vgl. auch Art. 15 DSGVO);
• auf Berichtigung oder Vervollständigung unrichtiger bzw. unvollständiger Daten (vgl. auch Art. 16 DSGVO);
• auf unverzügliche Löschung der sie betreffenden Daten (vgl. auch Art. 17 DSGVO), oder, alternativ, soweit eine weitere Verarbeitung gemäß Art. 17 Abs. 3 DSGVO erforderlich ist, auf Einschränkung der Verarbeitung nach Maßgabe von Art. 18 DSGVO;
• auf Erhalt der sie betreffenden und von ihnen bereitgestellten Daten und auf Übermittlung dieser Daten an andere Anbieter/Verantwortliche (vgl. auch Art. 20 DSGVO);
• auf Beschwerde gegenüber der Aufsichtsbehörde, sofern sie der Ansicht sind, dass die sie betreffenden Daten durch den Anbieter unter Verstoß gegen datenschutzrechtliche Bestimmungen verarbeitet werden (vgl. auch Art. 77 DSGVO).

Darüber hinaus ist der Anbieter dazu verpflichtet, alle Empfänger, denen gegenüber Daten durch den Anbieter offengelegt worden sind, über jedwede Berichtigung oder Löschung von Daten oder die Einschränkung der Verarbeitung, die aufgrund der Artikel 16, 17 Abs. 1, 18 DSGVO erfolgt, zu unterrichten. Diese Verpflichtung besteht jedoch nicht, soweit diese Mitteilung unmöglich oder mit einem unverhältnismäßigen Aufwand verbunden ist. Unbeschadet dessen hat der Nutzer ein Recht auf Auskunft über diese Empfänger.

Ebenfalls haben die Nutzer und Betroffenen nach Art. 21 DSGVO das Recht auf Widerspruch gegen die künftige Verarbeitung der sie betreffenden Daten, sofern die Daten durch den Anbieter nach Maßgabe von Art. 6 Abs. 1 lit. f) DSGVO verarbeitet werden. Insbesondere ist ein Widerspruch gegen die Datenverarbeitung zum Zwecke der Direktwerbung statthaft.

III. Informationen zur Datenverarbeitung

Ihre bei Nutzung unseres Internetauftritts verarbeiteten Daten werden gelöscht oder gesperrt, sobald der Zweck der Speicherung entfällt, der Löschung der Daten keine gesetzlichen Aufbewahrungspflichten entgegenstehen und nachfolgend keine anderslautenden Angaben zu einzelnen Verarbeitungsverfahren gemacht werden.

Serverdaten

Aus technischen Gründen, insbesondere zur Gewährleistung eines sicheren und stabilen Internetauftritts, werden Daten durch Ihren Internet-Browser an uns bzw. an unseren Webspace-Provider übermittelt. Mit diesen sog. Server-Logfiles werden u.a. Typ und Version Ihres Internetbrowsers, das Betriebssystem, die Website, von der aus Sie auf unseren Internetauftritt gewechselt haben (Referrer URL), die Website(s) unseres Internetauftritts, die Sie besuchen, Datum und Uhrzeit des jeweiligen Zugriffs sowie die IP-Adresse des Internetanschlusses, von dem aus die Nutzung unseres Internetauftritts erfolgt, erhoben.

Diese so erhobenen Daten werden vorrübergehend gespeichert, dies jedoch nicht gemeinsam mit anderen Daten von Ihnen.

Diese Speicherung erfolgt auf der Rechtsgrundlage von Art. 6 Abs. 1 lit. f) DSGVO. Unser berechtigtes Interesse liegt in der Verbesserung, Stabilität, Funktionalität und Sicherheit unseres Internetauftritts.

Die Daten werden spätestens nach sieben Tage wieder gelöscht, soweit keine weitere Aufbewahrung zu Beweiszwecken erforderlich ist. Andernfalls sind die Daten bis zur endgültigen Klärung eines Vorfalls ganz oder teilweise von der Löschung ausgenommen.

YouTube

Wir unterhalten bei YouTube eine Onlinepräsenz um unsere Leistungen zu präsentieren und mit Interessenten zu kommunizieren. YouTube ist ein Service der Google Ireland Limited, Gordon House, Barrow Street, Dublin 4, Irland, ein Tochterunternehmen der Google LLC, 1600 Amphitheatre Parkway, Mountain View, CA 94043 USA.

Insofern weisen wir darauf hin, dass die Möglichkeit besteht, dass Daten der Nutzer außerhalb der Europäischen Union, insbesondere in den USA, verarbeitet werden. Hierdurch können gesteigerte Risiken für die Nutzer insofern bestehen, als dass z.B. der spätere Zugriff auf die Nutzerdaten erschwert werden kann. Auch haben wir keinen Zugriff auf diese Nutzerdaten. Die Zugriffsmöglichkeit liegt ausschließlich bei YouTube.

Die Datenschutzhinweise von YouTube finden Sie unter

https://policies.google.com/privacy

Allgemeine Verlinkung auf Profile bei Drittanbietern

Der Anbieter setzt auf der Website eine Verlinkung auf die nachstehend aufgeführten sozialen Netzwerke ein.

Rechtsgrundlage ist hierbei Art. 6 Abs. 1 lit. f DSGVO. Das berechtigte Interesse des Anbieters besteht an der Verbesserung der Nutzungsqualität der Website.

Die Einbindung der Plugins erfolgt dabei über eine verlinkte Grafik. Erst durch einen Klick auf die entsprechende Grafik wird der Nutzer zu dem Dienst des jeweiligen sozialen Netzwerks weitergeleitet.

Nach der Weiterleitung des Kunden werden durch das jeweilige Netzwerk Informationen über den Nutzer erfasst. Dies sind zunächst Daten wie IP-Adresse, Datum, Uhrzeit und besuchte Seite. Ist der Nutzer währenddessen in seinem Benutzerkonto des jeweiligen Netzwerks eingeloggt, kann der Netzwerk-Betreiber ggf. die gesammelten Informationen des konkreten Besuches des Nutzers dem persönlichen Account des Nutzers zuordnen. Interagiert der Nutzer über einen „Teilen“-Button des jeweiligen Netzwerks, können diese Informationen in dem persönlichen Benutzerkonto des Nutzers gespeichert und ggf. veröffentlicht werden. Will der Nutzer verhindern, dass die gesammelten Informationen unmittelbar seinem Benutzerkonto zugeordnet werden, muss sich der Nutzer vor dem Anklicken der Grafik ausloggen. Zudem besteht die Möglichkeit, das jeweilige Benutzerkonto entsprechend zu konfigurieren.

Folgende soziale Netzwerke sind vom Anbieter verlinkt:

YouTube

Google Ireland Limited, Gordon House, Barrow Street, Dublin 4, Irland, ein Tochterunternehmen der Google LLC, 1600 Amphitheatre Parkway, Mountain View, CA 94043 USA

Datenschutzerklärung: https://policies.google.com/privacy

Muster-Datenschutzerklärung der Anwaltskanzlei Weiß & Partner